- Regular Price
- $19.99
- Sale Price
- $19.99
- Regular Price
- $19.99
- Unit Price
- per
Korean actress Go Youn-jung (고윤정/高允貞) brings a clear, modern presence to CHANEL tweed.
韓國女演員高允貞以白色斜紋軟呢套裝展現俐落比例。她的穿搭重點不在堆疊標誌,而在臉部附近的色彩、外套長度與裙裝比例。
Born in 1996, Go Youn-jung is known for Alchemy of Souls: Light and Shadow, Moving and Resident Playbook. In January 2026, she played global star Cha Mu-hee in Netflix’s Can This Love Be Translated?
Her beauty may be the first thing one notices, but her screen presence changes from role to role. Softness and tension coexist—a quality that also makes CHANEL’s sweetness and precision look natural on her.
Go Youn-jung attended her first CHANEL show as an ambassador in May 2024, when the 2024/25 Cruise collection was presented in Marseille.
Her black-and-white top and pale-blue accents already showed the balance that defines her CHANEL wardrobe: clear colour near the face, a concise silhouette and enough restraint to let the clothes remain visible.
Why does her CHANEL styling stay in the mind?
She does not rely on logos. Colour around the face, jacket length and the proportion between top and skirt keep the entire look clean. She wears the clothes without disappearing inside them.
At the CHANEL Fall-Winter 2026/27 show in Paris in March 2026, Go Youn-jung appeared in a white tweed two-piece.
White tweed softens the outline more than black or navy, yet it needs definition. Her compact jacket and short skirt created a light proportion, while dark hair sharpened the contrast. Trim, buttons and the shadows within the weave gave depth to an otherwise quiet palette.
In May 2026, she also attended the CHANEL Métiers d’Art 2026 show at Centre Pompidou Hanwha Seoul, presenting a more decorative side of the house than the white Paris look.
Métiers d’Art places embroidery, feathers, hats, pleating and jewellery craftsmanship in the foreground. A Korean actress moving onto the global stage, and Parisian craft presented in Seoul: the setting made the connection especially vivid.
CHANEL described the collection through contrasts—day and night, simplicity and iridescent light—and as a dialogue between Gabrielle Chanel and Matthieu Blazy.
Tweed, jackets and light-catching materials were not treated as museum pieces. They were reset for the body and tempo of today. Go Youn-jung’s white suit made that idea immediately legible.
In June 2026, W Korea published a visit by Go Youn-jung and CHANEL to Grasse in southern France. In the fields of May roses used for N°5, she wore a checked CHANEL top and skirt. Paris tweed, Seoul Métiers d’Art and the landscape behind the fragrance show that her relationship with the house extends beyond a single front-row appearance.
Movement reveals what a still image cannot: the short jacket’s ease, the skirt proportion and the lightness of the tweed. It is a useful reminder that a CHANEL jacket need not feel reserved for formal occasions.
The point is not to copy her outfit exactly. Look instead at how white, ivory and pale blue brighten the face, and how jacket length works with the bottom half.
A short jacket sits easily with wide trousers or a long skirt. A slightly longer line can work with narrow trousers or a clean dress. Because tweed already carries visual richness, the rest of the outfit can remain controlled.
A current actress can wear it, or one can look at a jacket made decades ago, and it is still recognisably CHANEL without feeling fixed in the past. Go Youn-jung’s styling makes that paradox look effortless.
0 Item(s)