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A Riviera ballet, recut for the modern city.
CHANEL 2007 07PF Paris–Monte-Carlo connects several places and eras: 1920s Côte d’Azur leisure, a Monaco theatre in 2006 and modern jackets, suits and dresses shaped by specialist ateliers. The thread running through them is layered detail with a light silhouette.
The 1924 Ballets Russes production joined Jean Cocteau’s scenario, Bronislava Nijinska’s choreography, Darius Milhaud’s music and Gabrielle Chanel’s costumes. Henri Laurens created the setting; Picasso’s beach runners supplied the image for the front cloth.
The Blue Train carried international travellers south from Paris and Calais towards the Riviera. On stage, sunbathing and sport became symbols of a new, mobile way of living.
A stage excerpt from Le Train Bleu. The upload does not identify the company, performers or recording year, so it is included only as a visual reference for the ballet’s sporting movement and atmosphere.
Museo Thyssen-Bornemisza places Le Train Bleu alongside Antigone as two collaborations linking Picasso and Chanel through Cocteau.
A short film about Picasso and Chanel in Antigone and Le Train Bleu. The historical facts in this article are based on the official Museo Thyssen-Bornemisza account.
The show’s day, cocktail and evening acts moved romantic ballet and Russian military references through jackets, suits, dresses and eveningwear.
Desrues jewellery, coloured-stone enamel bags, satin, tulle and bow-trimmed shoes added detail from the specialist ateliers.
Transparent fabric, reflected light and soft movement distinguish each layer. The outline remains clean even when the surface is complex.
The full CHANEL Paris–Monte-Carlo runway shows how the collection moves from day to evening while keeping its layered silhouettes light.
The collection appeared in the restored theatre dating to 1878 inside Monte Carlo’s casino. Princess Caroline and Charlotte Casiraghi were among the guests recorded by British Vogue.
The fourth Nijinsky Awards took over the same stage that evening. Named for Vaslav Nijinsky, the awards honoured dance artists. Lagerfeld conceived the backdrop and designed corsets and jeans for performers, linking the fashion presentation to live dance.
A 07PF tweed jacket works over a light top in warmer settings and a fine knit in cooler ones. Denim, straight trousers or a simple skirt keep the line defined while metallic thread and buttons provide the focal point.
This balance travels well: refined from a distance, detailed and distinctive at close range.
LILY’S EVERYDAY CHANEL
TC JAPAN staff member Lily wears this jacket throughout the year. Black-to-deep-navy metallic tweed and sculpted trim make an impression, while a white top or denim keeps it versatile across climates.
View the same CHANEL 07PF jacketExplore CHANEL 2007 07PF Paris–Monte-Carlo jackets, suits and dresses for international customers.
View the CHANEL 07PF collectionSources: CHANEL’s official Maisons d’art information, British Vogue’s December 2006 report, Museo Thyssen-Bornemisza, the Paris Opera and the Los Angeles Times account of the Nijinsky Awards.
CHANEL / British Vogue / Museo Thyssen / Paris Opera / Los Angeles Times
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